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Susanne Martin “Claudia“ |
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work in progress
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Konzept, Choreografie, Tanz Susanne Martin
Ein neues Solo.
Eine neue, vertraute Person.
Vielleicht erinnern Sie sich: Claudia hatte Herrn Müh´s Herz gebrochen.
Das kommt vor. Inzwischen sind beide darüber weg.
Und natürlich liebe ich Claudia, denn ihr Herz wird immer größer als ihr Bewegungsrepertoire bleiben.
Herr K. Müh (2003) und Claudia (2004) sind Teile einer abendfüllenden Produktion zu Julio Iglesias, die Susanne Martin für 2005 plant.
Susanne Martin, Berlin. Nach Ausdruckstanzkindheit und akademischer Ausbildung in Rotterdam und Essen arbeitet sie heute als Performerin in unterschiedlichsten künstlerischen Produktionen von Schauspiel bis zur Improvisation und als Pädagogin.
A new solo.
A new familiar person.
Maybe you remember: Claudia had broken Mr. Müh's heart.
Such things happen. By now, both are over it.
And of course I love Claudia, for her heart gets ever larger as her movement repertory remains the same.
Mr K. Müh (2003) and Claudia (2004) are parts of a full-length production on Julio Iglesias that I am planning for 2005.
Susanne Martin, Berlin. After a childhood of expressionistic dance and an academic education in Rotterdam und Essen, she now works as a performer in various contexts. Currently she is once again an actress at the Göttingen Theater M 21 and also works with her partner Bronja Novak (Sweden) on pieces situated somewhere between contact improvisation, show and the difficult art of warming up an audience. As a teacher and performer she concerns herself with the relationship between “free” improvisation and contact improvisation. |
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| Foto: AnnA Stein |
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Lígia Soares “The Natural Disorder of Things“ |
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Performance-Installation
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Performance-Installation Lígia Soares
“The Natural Disorder of Things“, eine Performance-Installation zwischen Tanz und Theater, wird unterstützt durch Videoprojektionen: Text an der Stelle des Kopfes, der Körper einzig verbunden mit der Musik. Ein Projekt über Entscheidungen, die nicht getroffen wurden und Entscheidungen, die keine mehr sind, aber zu einer Geschichte werden. Immer mit einem unvorhersehbaren, unerwarteten, unbeständigen und unwahrscheinlichen Ende,– oder Nicht-Ende.
Lígia Soares, Lissabon, arbeitete in verschiedenen Kunstkollektiven und sammelte übergreifende Erfahrungen in unterschiedlichen Bereichen wie Performance, Bühnenbild, Dramaturgie, Produktion und konnte nach ihrer Tanzausbildung an der Escola Superior de Dança de Lisboa seit 2000 eigene Arbeiten in verschiedenen Festivals präsentieren, u.a. bei Capitals – ein internationales Programm für junge Künstler der Encontros Acarte, Calouste Gulbenkian Foundation.
Die Künstlerin ist ab September 2004 artist in residence in der Tanzfabrik Berlin.
Concept/Text/Performance Lígia Soares Music João Lucas
The natural disorder of things it's a project without face. The face is only a thought relativised by the lack of sense in things, and by the lack of sense that turns the right in wrong, by the choices that are not made or the choices that by being made are no longer choices and become a story, always with a non-determined, unexpected, improbable and inconsequent end or even a non end. The possibility of living time in several directions, the memory, the action, the reflection, the expectation are told in an exclusively mental linearity, freed from spatial and temporal presence of physic human reality. In "The natural disorder of things" a character without identity, without an inner order is created, a character divided by the neck in two different realities. This fragmentation seeks to take the duality head/body to the limit of all its representations and meanings. The body becomes an exclusively physic element sensitive to the space and sound through a movement without form, without action or dislocation, as an expression of an almost vegetal vitality. As for the head it is detached from the real space to an exclusively temporal and textual image. It becomes an ultra-conscience of itself, of the others, of the world, of the past, of the future and of imagination. Everything in it is racionable, questionable and relativised revealing through logic the reality contradictions - the sense looses a place and a body to fix itself on.The temporal distance between though and action has been abolished, the body is blind and the head is an image.
Lígia Soares is artist in residence in Tanzfabrik Berlin, autumn 2004
The natural disorder of things it's a project without face. The face is only a thought made relative by the lack of sense in things, and by the lack of sense that turns the right in wrong, by the choices that are not made or the choices that by being made are no longer choices and become a story, always with a non-determined, unexpected, improbable and inconsequent end or even a non end.
The possibility of living time in several directions, the memory, the action, the reflection, the expectation are told in an exclusively mental linearity, freed from spatial and temporal presence of physic human reality.
In "The natural disorder of things" a character without identity, without an inner order is created, a character divided by the neck in two different realities.
This fragmentation seeks to take the duality head/body to the limit of all its representations and meanings. The body becomes an exclusively physic element sensitive to the space and sound through a movement without form, without action or dislocation, as an expression of an almost vegetal vitality. As for the head it is detached from the real space to an exclusively temporal and textual image. It becomes an ultra-conscience of itself, of the others, of the world, of the past, of the future and of imagination. Everything in it can be made rational, is questionable and relative revealing through logic the reality contradictions - the sense looses a place and a body to fix itself on. The temporal distance between though and action has been abolished, the body is blind and the head is an image.
Lígia Soares is artist in residence in Tanzfabrik Berlin, autumn 2004 |
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Frédéric Gies “Sleeping Beauties“ |
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work in progress
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Konzept und Performance Frédéric Gies Videos Frédéric Gies, Frédéric De Carlo Extras in Videos Isabelle Schad, Bruno Pocheron, Sarah Degraeve, Frédéric De Carlo, Ina Regensburg, Andrea Keiz
“This performance is the first part of a project called ‘Sleeping beauties / Ultra sexy Amazons’, in which I will steel the identities of six female icons: Sleeping Beauty, Snow White, Cinderella, Ripley, Catwoman and Mystic. These six characters are for me as many as possibilities of self-fictions, in order to emphasize the idea of a fluid identity.“ Frédéric Gies
"Sleeping Beauties" ist eine Interpretation der beiden Märchen “Die Schöne und das Biest“ und “Schneewittchen“. “Schneewittchen“ wird zu einer Art erotischen Traums von “Die Schöne und das Biest“. Wenn diese Performance ein Gegenentwurf dieser beiden Märchenfiguren zu dem Bild von Passivität ist, dann wird auch ein Blick auf die Verbindung von Hass und sexueller Identität geworfen.
Frédéric Gies, geb. in Frankreich, ist seit 1992 Tänzer bei verschiedenen französischen Choreografen wie Daniel Larrieu, Jean-Francois Duroure, Odile Duboc, Bernard Glandier, Olivia Grandville and Christophe Haleb. 1998 begann er eine Kollaboration mit Frédéric De Carlo, mit dem er mehrere Produktionen realisierte. Ihre Themen sind sexuelle Identität und deren Konstruktion, auch in ihrer politischen Ausprägung.
This performance is the first part of a project called "Sleeping beauties / Ultra sexy Amazons", in which I will steel the identities of six female icons: Sleeping Beauty, Snow White, Cinderella, Ripley, Catwoman and Mystic. These six characters are for me as many as possibilities of selffictions, in order to emphasize the idea of a fluid identity.
"Sleeping Beauties" is a reading of the two fairy tales "Sleeping Beauty" and "Snow White", "Snow White" becoming a kind of erotic dream of Sleeping Beauty. If "Sleeping Beauties" is a counter-production to the image of passivity of this two icons, it also puts a gaze on hate in relation to sexual identity.
This performance is the first part of a project called "Sleeping Beauties / Ultra Sexy Amazons", in which I will steal the identities of six female icons: Sleeping Beauty, Snow White, Cinderella,
Ripley, Catwoman and Mystic. These six characters are for me like many possibilities of self-fiction, in order to emphasize the idea of a fluid identity.
"Sleeping Beauties" is a reading of the two fairy tales "Sleeping Beauty" and "Snow White", "Snow White" becoming a kind of erotic dream of Sleeping Beauty. If "Sleeping Beauties" is a counter-production to the image of passivity of these two icons, it also takes a look at hate in relation to sexual identity. |
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| Foto: Frédéric Gies |
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