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Nach einem Poem von Sakamura entwickelt Mari Kazué ihr Tanzstück, dass ausgehend von der Schönheit, Bedeutung und symbolischen Kraft der Hände über das Berühren, Halten und Fallen spricht.
Mari Kazué, Japan/France. Her training in Japan began at the Bungakuza school (based on the Shingeki style), classical Japanese dance (Jiutamai) and No-Theatre. She later became assistant to Tatsumi Hijikata, one of the founding fathers of Butoh. After a period at the Lecoq school in Paris, Mari Kazué developed the “Hado” method. She continues to work on creations as well as giving Hado workshops.
Mari unterrichtet während der Sommerworkshops "Hado" |
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Foto: Jasiek Luszczki |
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