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| Online Anmeldung | Workshopprogramm PDF |
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Anmeldung: Anmeldebedingungen, Preise und Ermäßigungsmodalitäten sind im Workshopprogramm-PDF oder der Online-Anmeldung zu finden.
Der mit* gekennzeichnete Preis ist der Frühbucherrabatt. Registration, fees and concessions you can find in the workshop.pdf or the online application. * marks the early booking rate. |
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| vom 21.07 - 25.07.2014 |
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nächste >
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S-20 / Finding it when you get there |
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Adam Benjamin
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Kreuzberg |
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21.07-25.07.2014
(Mo-Fr) |
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A: 10:00 - 13:30
B: 10:00 - 15:00
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| Kosten |
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A: 195,- € (160,-*)
B: 240,- € (200,-*)
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"Finding it when you get there“ ist ein Format in zwei Teilen: ein für alle offener Workshop sowie eine daran anschließende Feedback Gesprächsrunde.
Teil 1: Im Workshop vermittelt Adam Benjamin seinen besonderen Zugang zur Improvisation im performativen Kontext und seine langjährige Erfahrung in der Arbeit in einem offenen, inklusiven Umfeld. Für Neulinge und erfahrene Profis gleichermaßen zugänglich, bringt er zeitlich und räumlich begrenzte Improvisationen (scores) mit somatischen Bewegungsansätzen und unterschiedlichen Bewegungstraditionen zusammen.
Teil 2: Die Feedback Gesprächsrunde ist besonders für Multiplikatoren, Pädagogen und Künstler, die im integrierten Kontext mit Menschen mit und ohne Behinderung arbeiten oder sich dafür interessieren. Kann nur in Kombination mit Teil 1 gebucht werden!
Part 1 of the workshop is open to all levels; Adam will be sharing the inclusive improvisation practice he has devised over the last decades from his ground breaking work with CandoCo to more recent research with 5 Men Dancing. Working with temporal and spatial improvisation scores, with somatic principles and movement practices from a variety of traditions he embraces the needs of new comers while engaging and challenging professional dance and theatre practitioners.
Part 2 of this workshop is a feedback / discussion session based on the workshop and aimed at dance practitioners and pedagogues working in an integrated context, or students interested in developing their expertise in this field. Can only be booked in combination with Part 1!
barrierefrei (eingeschränkt)/wheelchair accessible (restricted)
Adam Benjamin (UK) was a founder member and artistic director of CandoCo Dance Company he was also a founder of the improvisational collective 5 Men Dancing, more recently working with Kirstie Simson, he is an award winning choreographer now teaching at Plymouth University in the UK. In 2013 his teaching was recognized through the award of a National Teaching Fellowship from the Higher Education Academy.
“A teacher with a rare vision and a gift for communicating it to others.” (Sunday Times)
A = Teil/Part 1: Workshop
B = Teil/Part 1 & 2: Workshop + Gesprächsrunde/Feedback/Discussion
- Mo 21.7.14_15.30 h
Gespräch Adam Benjamin & Jo Parkes
- Mi 23.7.14 _15.30 h
Improvisation mit Dozenten & Gästen
- Fr 25.7.14_15.30 h
Workshopshowing
Tanzfabrik Berlin/Kreuzberg
Foto: Omi Toshihiro
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| Unterrichtssprache: |
Englisch
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A-Part 1: Workshop: offen, barrierefrei/open, wheelchair accessible
B-Part 1 & 2: dance practitioners, teachers, pedagogues working in an integrated context
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S-21 / Body-Mind Centering: Soma-natomic Explorations |
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Cathie Caraker
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Kreuzberg |
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21.07-25.07.2014
(Mo-Fr) |
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11:00 - 14:00
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| Kosten |
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170,- € (145,-*)
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Body-Mind Centering® (BMC) ist in diesem Workshop die Basis für eine intensive Körper- und Bewegungsrecherche, die durch Authentic Movement und Improvisationen in den Tanz gebracht wird. Jeder Tag beginnt mit frühkindlichen Bewegungsmustern, um unsere Wahrnehmung und Verbindung mit Raum, Körper und Schwerkraft zu stärken. Durch Berührung und Bewegung erforschen wir dann die verschiedenen Körpersysteme: die Knochen, die Organe, die Flüssigkeiten und die Nerven und suchen den tänzerischen Ausdruck jedes dieser Systeme.
Body-Mind Centering® (BMC) is an embodiment practice, a forum for experiential research into the sources of human movement. We warm up each day with developmental movement patterns and early reflexes to fine-tune the sense perceptions and balance our physical tone in relation to the earth, gravity, space and community. Next, we delve into our body systems through movement and touch. We explore the architectural clarity of the bones, the 3D support of the organs, the kinetic dynamics of the fluids, the specificity of the nerves and how the “mind” of each system expresses through our dancing. This research forms the ground for extended periods of Authentic Movement practice and improvisation, during which we cultivate an attitude of curiosity, fluid specificity of attention and openness to the unknown.
Cathie Caraker (San Francisco) dance artist, performer, teacher. Formerly based in Amsterdam, she was on the faculty of the School for New Dance Development for 10 years. Certified practitioner of Body-Mind Centering® (1990), MFA in Dance from Bennington College. Her work has been widely presented across Europe, North and South America. Her writings on dance and somatics have been published in the Belgian dance journal Nouvelles de Danse.
www.caraker.com
- Mi 23.7.14_15.30 h
Improvisation mit Dozenten & Gästen
- Do 24.7.14 _15.30 h
Lecture mit Cathie Caraker
Tanzfabrik Berlin/Kreuzberg
Foto: Frank Revi |
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| Unterrichtssprache: |
Englisch
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| Niveau: |
mit Bewegungserfahrung/with movement experience
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S-22 / Articulating the Solo Body |
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Nina Martin
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Kreuzberg |
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21.07-25.07.2014
(Mo-Fr) |
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10:00 - 12:00
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120,- € (100,-*)
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We will start the morning with Hamilton Floor Barre and developmental techniques that build a strong, flexible, and integrated body. Working from the body's deep intelligence, we learn to dance intuitively with the body's desires while developing a facile brain that is released from habitual patterns in order to move into fresh and complex movement inventions. The goal is to create an efficient, versatile, and adaptable body~mind suited to any style of dancing.
assisted by Kelly Dalrymple-Wass
Nina Martin has many years been developing dance systems such as Ensemble Thinking and choreographing/performing/teaching and producing/working with artists such as Simone Forti, Deborah Hay, Steve Paxton, Daniel Lepkoff and Mary Overlie.
Kelly Dalrymple-Wass creates performances, drawings and films in Berlin, Germany and Marfa, Texas with NonFiction and Lower Left, is a Pilates instructor, and mom.
- Mi 23.7.14_15.30 h
Improvisation mit Lower Left & anderen Dozenten
Tanzfabrik Berlin/Kreuzberg
Foto: Fred Covarrubias, Jr. |
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| Unterrichtssprache: |
Englisch
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| Niveau: |
Mit Bewegungserfahrung/with movement experience
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S-23 / Ensemble Thinking: Compositional Kinetics |
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Leslie Scates & Andrew Wass
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Kreuzberg |
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21.07-25.07.2014
(Mo-Fr) |
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12:30 - 15:00
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| Kosten |
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145,- € (120,-*)
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Ensemble Thinking (ET) is an improvisational training system in which the individual performer and the group have equal opportunity for expression and perception and giving and taking focus. ET affords the performer clear choices, creating a dynamic compositional framework for a freely exchanging dialogue between the individual and the group. By rigorously training the performer’s awareness and presence in spatial/temporal relationships, ET increases the potential for clarity within the chaos.
Leslie Scates is a movement artist, educator and consultant from Houston, Texas where she teaches people how to improvise on and off the dance floor.
Andrew Wass has taught at festivals and universities in Japan, Germany, and the United States; has a degree in Biochemistry and Solo/Dance/Authorship; and values the coincidental, the conscious, and the concise.
- Mi 23.7.14_15.30 h
Improvisation mit Lower Left & anderen Dozenten
Tanzfabrik Berlin/Kreuzberg
Foto: Lane Lynne Photography |
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| Unterrichtssprache: |
Englisch
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| Niveau: |
mit Bewegungserfahrung/with movement experience
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S-24 / The Big Picture |
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Lower Left Collective
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Kreuzberg |
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21.07-25.07.2014
(Mo-Fr) |
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10:00 - 20:00
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| Kosten |
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300,- € (250,-*)
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Wir freuen uns, das Lower Left Collective in diesem Jahr zu Gast bei Sommertanz zu haben. Nina Martin, Kelly Dalrymple-Wass, Leslie Scates, Andrew Wass, Shelley Senter, Margaret Paek, Shelley Senter, Margaret Paek leiten ein intensives ganztägiges Programm für Menschen mit Erfahrung in Improvisation und Performance. “The Big Picture” umfasst die beiden Workshops Articulating the Solo Body und Ensemble Thinking in der 1. Tageshälfte, sowie das Performance Research Lab am Nachmittag, mit dem gesamten Lower Left Collective. Begleitet von Jams und Performances, lädt die Lower Left Collective für eine ganze Woche zum gemeinsamen forschen, lernen und performen ein.
THE BIG PICTURE is an intensive performance lab for the experienced performer. Facilitated by the performance collective Lower Left, THE BIG PICTURE is a rigorous examination of the relationship between the self and the group in a performance environment. This is an all day performance intensive designed for individuals who are interested in solo body techniques; exploring how that body relates to an ensemble; and unearthing a range of un/conscious potential. It consists of the two workshops Articulating the Solo Body and Ensemble Thinking: Compositional Kinetics in the morning and the Performance Research Lab in the afternoon – led by Shelley Senter and Margaret Paek, with all of Lower Left. Only available for participants of the full intensive this lab is an embodied critical investigation of performance perspectives.It delves deeply into the creative sources within, allowing the un/conscious to emerge. Drawing from our collective wealth of experience in areas such as Alexander Technique, the Viewpoints, creative writing, states work, performance art, and a wide variety of other body based practices, we will investigate and dialogue about creation, presence, and performance.
Lower Left Performance Collective, founded in 1994 in San Diego, California, is dedicated to the spontaneous combustion inherent in the collaborative process, choosing to rely on the combined artistic vitality of its artists rather than the hierarchy of the traditional dance company. Performance works by the collective range from purely technical, highly physical dances to complex theatrical multimedia dance plays. The Berlin residency will be held by Lower Left artists Leslie Scates, Shelley Senter, Margaret Sunghe Peak, Nina Martin, Kelly Dalrymple-Wass and Andrew Wass.
www.lowerleft.org
Leslie Scates is a movement artist, educator and consultant from Houston, Texas where she teaches people how to improvise on and off the dance floor.
Shelley Senter has spent more than twenty five years applying the principles of the Alexander Technique to the performing body and mind, as well as touring the world performing, choreographing, teaching and advocating for dance as an independent and collaborative artist and as a living archive of seminal post-modern works.
Margaret Sunghe Paek is a New York based collaborative dance artist who teaches regularly for Movement Research, Manhattanville and Marymount Manhattan Colleges; works most recently with Dahlia Nayar and Polly Motley; and creates daily with her daughter and musician/composer partner.
Nina Martin has many years been developing dance systems such as Ensemble Thinking and choreographing/performing/teaching and producing/working with artists such as Simone Forti, Deborah Hay, Steve Paxton, Daniel Lepkoff and Mary Overlie.
Kelly Dalrymple-Wass creates performances, drawings and films in Berlin, Germany and Marfa, Texas with NonFiction and Lower Left, is a Pilates instructor, and mom.
Andrew Wass has taught at festivals and universities in Japan, Germany, and the United States; has a degree in Biochemistry and Solo/Dance/Authorship; and values the coincidental, the conscious, and the concise.
10.00 – 12.00 h Articulating the Solo Body
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12:30 – 15:00 h Ensemble Thinking
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17:00 – 20:00 h Performance Research
- Fr 25.7.14_15.30 h
Workshopshowing
Tanzfabrik Berlin/Kreuzberg
Foto: Fred Covarrubias, Jr. |
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| Unterrichtssprache: |
Englisch
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| Niveau: |
mit Bewegungserfahrung/with movement experience
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S-25 / Listening, Sensing, Timing |
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Sharon Hilleli-Assa
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Kreuzberg |
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21.07-25.07.2014
(Mo-Fr) |
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A: 17:00 - 19:00
B: 19:30 - 22:00
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| Kosten |
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A: 120,- € (100,-*)
B: 145,- € (120,-*)
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Auf der Basis von zeitgenössischem Tanz und Feldenkrais Prinzipien bewegt sich Sharons Unterricht fließend zwischen gesetzten Choreografien und Improvisationen. Wir konzentrieren uns darauf, die Phrasierung von gesetzten Bewegungsabläufen zu “hören”, erforschen spielerisch die eigene Interpretation und lernen uns, dem Tanz und dem Moment zu öffnen.
We use simple sequences based on contemporary dance and Feldenkrais principles, in order to organise movement efficiently and to enrich individual patterns. Stimulating the process with images as a bridge between body and mind and encouraging personal discovery and interpretation we shift easily from structured sequences into improvisation and back. We bring attention to the potential of the body and its relationship to the space and partners. We focus on "hearing" the phrasing of the movement when moving inside the composition or when observing it from outside. Listening, playing, timing, allowing vulnerability, sensing of wholeness.
Sharon Hilleli-Assa (Israel/Germany) performer, choreographer, dance teacher, B.Ed, Dance - Performing Arts, kibbutzim Collage Tel- Aviv, MA in arts education, University of Leeds, UK. Dance credits include "Tamar" Company (directed by Zvi Gotheiner and Amir Kolben), Laurie de Vito, Twyla Tharp
a.o. (N.Y). Since 1995 creating her own works for stage and videodance in collaboration with Emmanuel Grivet, Amos Hetz, Nimrod Fried, Shlomit Fundominsky a.o. as well as the artist improvisation group "Octet“. Teaching contemporary dance, composition and improvisation since 1988. Since 2012 she lives, creates and teaches in Berlin, at Tanzfabrik, Dock11, Sasha Waltz & Guests. a.o.
http://sharonhilleli.com
- Mi 9.7.14_15.30 h
Lecture "The dialogue between the movement and the nerve system" mit Dr. Sagi Assa
Neuro-kinesiology logic of movement through the use of images and Feldenkrais thoughts about making "the impossible possible, the possible easy, and the easy elegant".
- Mi 23.7.14_15.30 h
Improvisation mit Dozenten & Gästen
Tanzfabrik Berlin/Kreuzberg
Foto: Shi Xuan |
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| Unterrichtssprache: |
Englisch
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A-offen, Anfänger/open, beginners
B-Mittelstufe, Fortgeschrittene/intermediate, advanced
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S-26 / Atem- und Körperwahrnehmung |
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Claudia Feest
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Kreuzberg |
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21.07-25.07.2014
(Mo-Fr) |
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18:00 - 21:00
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170,- € (145,-*)
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Claudia Feest’s Körperarbeit, beruht zum einen auf der Atem-, Stimm- und Körperarbeit von Elsa Gindler und Frieda Goralewski und zum anderen auf der Atemlehre von Ilse Middendorf ‚Der Erfahrbare Atem’. Ziel ist dabei, durch verfeinerte Wahrnehmung, bewusstes Atmen und tiefes Entspannen eine „neue“ stimmige Spannung im Körper aufzubauen. All unsere Sinne, deren Zugang uns im alltäglichen Leben stressbedingt oft abhanden kommen, werden durch diese Arbeit angesprochen und stehen uns wieder in ihrer ganzen Lebendigkeit zur Verfügung.
Claudia Feest’s bodywork is based on a combination of movement, breathing and voice exercises of Elsa Gindler and Frieda Goralewski and the breathing methods of Ilse Middendorf. It aims to establish a "new" harmonic tension within the body, through conscious awareness of breath and deep relaxation.This work addresses and awakens all of those senses to which access is too often lost in our everyday lives.
Claudia Feest ist Tänzerin, Choreografin, Diplombiologin, staatlich geprüfte Heilpraktikerin, war langjährige Schülerin von Frieda Goralewski und wurde am Ilse Middendorf Institut in Berlin zur Atempädagogin und –therapeutin ausgebildet. Sie praktiziert und unterrichtet Tai Chi und Qi Gong seit über 30 Jahren. Mitbegründerin der Tanzfabrik Berlin und bis Ende 2003 deren langjährige Künstlerische Leiterin.
Tanzfabrik Berlin/Kreuzberg
Foto: Rolf Lieberknecht |
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| Unterrichtssprache: |
Deutsch
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offen/open
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